beards page

2008-06-09T11:29:00.002+01:00

A BIG THANK YOU

TO ALL THAT CAME

LAST NIGHT.

CHEERS

MySpace Music. Live and Kicking

2008-04-19T15:41:00.023+01:00

I am writing today in praise of MySpace music. We all know, as we sit in front of our screens, that there is a vast amount of music here. Some good, and some not so good. But all are worthy of praise
for the pleasure they bring through our speakers.

However that being said. Apart from the obvious exceptions ie The Arctic Monkeys & Lilly Allen not many of these musicians will ever get
to be heard by the general public. And this why I write.
Music NEEDS to be heard LIVE.

This where AMO Music come in. Simon Matthews & Anna Parry (of the Bath/Bristol band Fabric ) have realised that the wealth of talent out there needs a voice, and somewhere to ply their trade. So along with a few friends, they organise a Friday night of "Live" music at The Invention Studios in Bath.

Unfortunately as it's on a Friday, and in rather an obscure location, you out there in cyber land haven't found it yet, or perhaps you're out clubbing. Which is rather a shame after all the effort Simon and Anna put into promotion and publicity.

True, the Venue is inconspicuous and easy to miss. Being in an old church hall. But once you're inside the vibe & the acoustics are superb. And the music (most) is of outstanding quality.

You'll find artist there, like Stanton Deloplane, & Helen Sadler. with their clever use of the loop box and unusual instruments. The wonderful Alexander Thomas with his Theramin. Singer songwriters like Little Girl Blues, Rob Phillips, & Ryan Inglis. Along with bands like the a fore mentioned Fabric, The Girls, The John E Vistic Experience and the mighty 25 men. (Who's performance the other night was worthy of a much bigger audience) This list could go on and on.

So ladies and gentlemen. Wherever you are in the world. Instead of just listening to the music before you go out to the pub or club listening to euro pop. Go and see these bands.

And remember if they're not supported live, they may even remove their cyber link to you.
They've worked hard for your pleasure.
They need to be SEEN. Thank You.

Future Presentations

Nu Roots to Bridgwater

2008-02-10T20:43:00.001Z

Eleanor McEvoy
& The Tim Edey Band
Bar 27
Bridgwater
10 February

A Sunday lunchtime date with Eleanor McEvoy. prior to her forthcoming Australian tour.
A very light a spacious bar, with plenty of tables, easy chairs and stools, greeted us when we arrived. These were quickly filled as other music lovers came in willing to forgo their Sunday roast. in exchange for Sarnie's' and a pint or two, And good Folk and roots music. The Show promoted locally by Midnight Mango is part of Nu-Routes.
A network of folk music promoters dedicated to bring together outstanding musicians.

We were warmed up gently for the first 40 minutes, with some superb flamenco guitar work by Terence Vaughn. Very relaxing for a Sunday afternoon.

After a short break, the 4 musicians were invited on stage. Eleanor took centre stage and after the customary "How you all doing"
They opened up with the Tim Edey composition 'Radio 2 comes to Kerry' A lively opening number to introduce us to the themselves & their instruments.

Fiddle, Harmonica, Guitar & Cajon Drum.

We then had the infamous reel, ( the on in 'E') Wrong So Wrong, and
a lovely piece, called Loraine's Dream. Which had everybody moved.
Before Eleanor left the stage.

We were taken on a world tour courtesy of 'The Odyssey' taken from the excellent album 'Farrago'

Brendan Power, then took centre stage giving us a couple of bluesy numbers. One dedicated to Eleanor. Saying It's not only women who have hearts. Two more reels then from Tim Edey on accordion and Lucy Randall on Bodhran. before Brendan joined for last one before another interval.

'Real Blues Reel'

After a short break. Eleanor returned on her own to give us 'I'll be Willing' and 'Ave Maria'

And then re; reference A "plastic soup" of waste floating in the Pacific Ocean is growing at an alarming rate and now covers an area twice the size of the continental United States.

We were treated to a brilliant cover (with an extra verse penned by Eleanor) of Barry McGuire's

'The Eve of Destruction'

Tim, Lucy, & Brendan then rejoined to perform 'To Sweep Away A Fool' and a new one, from the next and 7th Album. 'Old New Borrowed and Blue' wittily penned by the brilliant Dave Rotheray.
Finishing off with Dylan's 'I'll be your baby tonight'

And for the encore after excellent reception. from an enthusiastic and knowledgeable audience. They then pulled out the stops with
'Trad 'N' Blues'

A couple of friends said to me after the Brewhouse gig last May. How they would of preferred her with a band. Well folks this was it.
Four brilliant musicians in their own right. (we had touches of magic from them all individually) came together. And it married perfectly.

What a way to spend your Sunday afternoon. (I'm usually watching the football) The Promotion of this event, & future presentations, tell me that I'll be spending more time at Bar 27. and finding -
Nu routes to Bridgwater.

The Musicians

Eleanor McEvoy - Vocals, Fiddle & Electric Guitar
Tim Edey - Acoustic/Bass Guitar & Accordion
Brendan Power - Vocals, & Harmonica
Lucy Randall - Bodhran, Cajon, & Tambourine

Links to this post;

Eleanor McEvoy
Eleanor on MySpace
Tim Edey
Midnight Mango

Dancing Tony comes to Somerset

2008-02-10T09:45:00.012Z

The Monaros
The Wunder Bar
Midsomer Norton
9 February

Oh woe is me. Our friend (Pete) and main source of transport, is taken ill. So our (Jon & myself) Saturday evening's entertainment began at 15:30. A train to Bath. (Stopping off for a pint and a bite) continuing by bus to the North Somerset town of Midsomer Norton.

The object of this expedition, was the debut 'Live' gig of a Bristol/Taunton based band, from the same family. 'The Monaros'.

Four middle-aged wannabe popstars. Spawned from the much lamented Judges Children, Lazenby, & The Mighty Stars. They have now teamed up with their younger sister, (aka Paula Aaronson) to create their own brand of easy listening Pop-Rock indie tunes.

The Wunder Bar is a small basement venue. Dedicated to bring live music to the folks of rural Somerset. In attendance tonight were Simon & Anna from 'Fabric'. With 'the family' not playing till late, it was great to catch up with all their news. They are very rarely on the punters side of the stage.

By the time the band came on (10:15) the place was comfortably packed. A few drunken guys from the Midsomer Norton Polish gay scene tried to spoil it. but they soon calmed down When Aero Monaro started to sing.

The 4 brothers all looked dapper in sharp suits. And, Aero looked simply stunning in her ball gown.

Aero & Little Nicky at The Wunder Bar

The set consisted of 12 songs with one reprised at the end for an encore. All bar one number coming from 'Little Nicky's' rich and bulging song book. Superb lyrics (some surreal) based on his life & loves. together with wonderful catchy tunes. The one song they did as a cover was 'Heart of Glass' very apt. As their repertoire and look was akin to the Blondie of old.
You could say on Parallel Lines.

They were well received by an enthusiastic crowd. Plus they were welcomed back, which is always a good sign for a band, especially one their first outing. As Timmy Monaro said to me, afterwards.

"That was a tight set" Crisp and easy to listen to.

And if I did say they were middle aged, then I apologise. The vibe from this band would put a lot of younger wannabes to shame.

Go and see them soon.

They're playing next in Bristol, at The Louisiana on the 26 Feb. and,

Mr Wolf's on the 29th.

The Monaros are.....
Aero Monaro - Vocals
Little Nicky Monaro - Guitar
Bobby "the fish" Monaro - Keyboards
Timmy Monaro - Drums & backing vocals
Tony Monaro - Bass

The Set List.
Mia Keep Moving
20,000 Leagues
Hot Love
Ultramarine
Cowboy
Heart Of Glass
Here's One For Later
Birthday
Velcro
Dancing Tony
All That Matters
In The Space
Cowboy (reprise)

Links to this post

Happy Cliffmas!

2007-12-18T21:32:00.000Z

It seems that as most of the world's wildlife goes into hibernation for the winter months, Sir Cliff clambers out from the undergrowth of his labyrinthine warren to wreak complete havoc on an extra vigilant public.

Perhaps it's his 'Never Say Die' attitude, singing 'Congratulations' round the Christmas tree, or larging it up big time with the 'Living Doll' next door - or is it that Christmas for the Cliff Face is nothing more than a chance to completely balls up another Christmas single?

Understood by many to outdate the prototype London Bus that appeared for the very first time on screen in Summer Holiday, or even the Sedan Chair it seems that somehow he has managed to inspire an ever growing fan base.

In an interview recently on the one show it was mentioned that in his lifetime he has released about 78 albums, some of which contrary to belief actually contains something resembling music. With that number alone being about twenty times the number of chords Status Quo have managed to find in last 50 years and them still doing well it's not difficult to see how or why he is still being appreciated by a long suffering audience.

Long outliving Orpheus Cliff has always managed to keep ahead of the times and in his Baroque collection released in 1789 this was definitely a landmark of its generation. In fact it was embalmed and lies deep in one of the crypts of Highgate Cemetery but an original promotional copy found its way recently into the museum of Egyptology in Cairo.

To some he was the genesis of the pop revolution which is not difficult to believe for someone who began life with his sell out show, playing for Emperor Titus at the official opening of the Coliseum in Rome, around AD 80.

For his die hard fans, Cliff at the ripe old age of 92 continues to disappoint by releasing yet another single. Having heard it I can safely say that he now has a stage appearance not dissimilar to that of Meatloaf. However he still manages to bounce around the stage with more energy than Russell Mael but has he lost it as a performer – we think so.

Out of the aforementioned 78 albums over half of those are Christmas compilations and remixes of Mistletoe and Wine. Perhaps the Status Quo formula really does work…. It has for Cliff over the past decade – or maybe he should stick to playing tennis as he's probably England's best hope….

For other gems like this. And some great photography.
Please visit a good friend of mine. Dave Cable over on MySpace

Earth-Light-Studios

Merry Christmas

Eleanor on the Balcony

2007-11-14T19:19:00.000Z

'Eleanor McEvoy'

THE BTV MUSIC VIDEO AWARDS 2007

The Bairns are back in Town

2007-09-28T08:09:00.000+01:00

Rachel Unthank & the Winterset touring to promote their new album
"The Bairns" Last night they were at the small, yet impressive venue of St Georges Hall, in Bristol.

When the Girls came on stage, the spotlight was immediately on the Unthank sisters, dressed in their party frocks. Rachel in an ecru coloured dress, and Becky in a Turquoise strapless, backless outfit. New Girl, Niopha Keegan, (who has taken over from Jackie Oates)
was more soberly dressed. And Belinda O'Hooley was, as ever the Gentleman.

Opening up with a favourite from the first album (Cruel Sister) "Monday Morning" a tale of a Monday after a weekend on the Toon.
Featuring Rachel as the main lead. With Becky & Niopha taking a verse each. accompanied by Belinda on Piano. - A posh piano. Far better than what I'm used to. so we are told.

All the songs come from their Northumberland/ Scottish border heritage. Although "Whitethorn" a pretty dirge, (if there can be such
a thing) and "Blackbird" were written by Belinda.
Rachel having the lighter voice, really brings the songs alive. Becky has a lovely softer, lower tone. Which was shown off perfectly, when they finished the first set with Becky and Belinda doing a wonderful rendition of Antony and the Johnsons "For Today I am a Boy"

The second set started off with "Felton Lonnin" Rachel singing, accompanied by Becky on high heel percussion.
Next came the clog dancing, audience participation. (Till the tide comes in) How the girls tops stay in place is a miracle. perhaps they should use "anti bounce Bras"-but then again don't.

We then had Rachel's version of the high heel percussion, accompanying Becky on "Sea Song." A Robert Wyatt cover.
The evening progressed with the girls light hearted comments
and bitches between themselves and the audience.
It made for a very enjoyable night.

To close the show we had Belinda's tale and song on how close she came to telling her family her Big secret.
An amusing number called "When I'm Cold and Stiff"
and they were bought back to the stage after thunderous stamping of feet, to do one more number. "Farewell Regality" A beautifully crafted homage to Hexhamshire Lasses.

The Winterset are;
Rachel Unthank - Voice and Cello
Becky Unthank - Voice
Belinda O'Hooley - Voice and Piano
Niopha Keegan- Fiddle and Voice

The Set List
On A Monday Morning
Blue Bleezing Blind Drunk
Whitethorn
Lull I (Newcastle Lullaby)
Blackbird
Fair Rossamund
For Today I Am A Boy

Felton Lonnin
Blue's Gaen Oot O'the fashion
Sea Song
Lull IV Can't stop it raining
Ma Bonny Lad
My Donald
Lull II My Lad's a Canny Lad
Till I'm Cold and Stiff

Fareweel Regality

MYSPACE: The radio edit of Felton Lonnin is now available to listen to on Myspace. More tracks will be available soon. Felton Lonnin is track one of the new album, and features four members of the Northern Sinfonia, Neil Harland on double bass, and feet percussion
by Becky Unthank’s high heels! Go listen to it now!
www.myspace.com/rachelunthank

2007-09-27T11:09:00.000+01:00

For those of you who haven't done so yet.
Come on over to MySpace

It's about time you did

Death of a Princess (again)

2007-09-01T14:20:00.000+01:00

Oh What a Night

2007-08-27T15:27:00.000+01:00

Huge bundles of Thanks
go to all that came
special mentions go to

Rob Phillips, Cheers Mate
The Little Girl Blues, Thanks Leanne
and Simon, Anna,& Tom. Parry:Matthews.

And not forgetting Little Pete, Bobby Howlett & Louise

Fancy a Party

2007-08-12T14:34:00.000+01:00

Taunton's Finest

2007-08-10T17:31:00.000+01:00

Let's Get One Thing Straight.

There Is NO Louis, There Are NO Iguanas

They Are Louis And The Iguanas

Ms. McEvoy came to Taunton

2007-05-29T16:42:00.000+01:00

After years of badgering her, as regular readers will know, I've always had to travel to see this talented lass. Eleanor McEvoy finally played in my home town on 17 May, ably supported by Amy Newton. They were playing at the Brewhouse Theatre as part of the Spring Folk series.

It was very pleasing to see the theatre almost full (capacity 350) Which suprised me. The Brewhouse doesn't seem to do very much in the way of advertising – ‘though I had helped by dragging 23 friends and family along - some of them kicking and screaming! We all met up outside on a lovely spring evening, then made our way in to the auditorium for a 7:45 start.

Amy Newton, looking like a North Devon surfer girl, was on first. A waif of a girl with a soft, but gutsy voice and crisp guitar playing, she performed songs from her two Albums 'Lost for words' and 'Which Hand', in a half hour set. Wonderful jaunty songs with great titles - especially 'Dan', her closing number, which created much merriment as we had a 'Dan' in our party.

'Lost for Words' - she wasn't! 'Didn't like you anyway' - We did!

Those of you lucky enough to have Glastonbury tickets, check'er out – Enjoy.

By way of a change now, having reviewed Eleanor on several occasions, always with indulgent praise, I thought it only right to hand the review over to someone who hadn't seen/heard of her before ...

So over to you Pete ...

Walking in from stage right to somewhat muted applause (perhaps, like me, some of us thought she was a roadie! - sorry), she came to the mike saying "Hi, I'm Eleanor McEvoy. Please give me a warm welcome!" - we did of course.

Surrounded by a circle of instruments, she strapped on a bass guitar and with no introductions launched straight into the set with 3 numbers - one being Nick Lowe's 'Failed Christians'. It's somewhat unusual to see the Bass alone used as vocal accompaniment,
but it worked extremely well.
To close a short first set, prior to the interval, six stringed electric guitar replaced the four string bass.
Consuming a couple of very quick beers and with Tim still 'avin a fag, the bell goes, signalling end of interval.

Returning to our seats, Eleanor soon re-enters and, continuing to demonstrate her versatility, plays the opening number on mandolin. Lovely refreshing sound - another one or two on this wonderful instrument wouldn't have been amiss.
Ms McEvoy next switched to acoustic guitar, an instrument she's obviously very comfortable with, as she manages one song using it as a percussion instrument! She played several numbers from her latest Album 'Out There' and included in this section was Frankie Miller's 'Darlin''. She made an observation about the said artist, but unfortunately it fell mostly on deaf ears -

I reck'n per'aps we're not quite up-with- the-times down 'ere in Zummerzet!
Two more songs I must mention are 'Non-Smoking Single Female’ and a cover of 'Mercy Mercy Me (The Ecology)' as done by the late-greats Marvin Gaye and Robert Palmer, a brilliant song on a topic close to my heart.

Eleanor has undoubted musical ability as a solo performer, although to me, several songs sounded like they were building up to the point where the rest of the band joins in! - I reckon that'd be great - just an idea!
Completing the tour round the circle of instruments, we then had some songs on fiddle - I loved her use of the bow like a drumstick on the strings for 'Wrong So Wrong'.

The evening was brought to a lively end with her jaunting up the auditorium steps, still playing the fiddle - an excellent conclusion to an enjoyable gig.

Pete Morley

That was a great review.

For another glowing tribute go to the Somerset County Gazette

Bewley's Cafe. The cream at the top

2007-03-02T18:36:00.000Z

If you haven't guessed already. I can't get enough of Eleanor McEvoy. So when I found out that I had an extra day off this week. I was straight on the Ryan Air site, booked a hotel (please I hope it's OK) Then waited for the day to arrive.
--------------------------------------------------------------------------------

Eleanor McEvoy,
Bewley's Cafe Theatre,
Dublin,
1st March 2007.

I was up early leaving the house in the capable hands of Plasterers. I headed to Bristol Airport, via Temple Meads.
Travelling light, and with my on-line boarding pass in hand, I sailed (or should that be flew) through. Everything on time. (even the train) I was in Dublin City centre in no time.

And I can honestly say that the Hotel Issac in Store St. was excellent. Bit of a shabby area, the city Dart ran just outside my window.
But the Staff there, the Cleanliness, and Character of the place, made it a good choice. And it's ideally situated between O'Connell Street and tonight's venue.
An afternoon of Guinness tasting then ensued. (one is never enough) washed down with a bowl of Irish Stew. I felt relaxed, as I waited for the evening with eager anticipation.

The Venue tonight, situated in Dublin's Main Shopping thoroughfare, Grafton Street. Bewley's Cafe. This “Oriental” coffee house was first opened in 1927 and has become part of the fabric of the capital city’s cultural and political history, famed as a meeting place for poets, writers and alike. With a cafe/ bistro downstairs & a Restaurant on the first floor and on the 2nd floor was the Bewley's Cafe Theatre
I bought another pint of the "Black Stuff" and went upstairs early, as I needed a ticket. I was met by the promoter/sound engineer for the night. I had e-mailed Keiron Black prior to traveling, so when I said who I was, and where I'd come from. He invited me in early. In to a very intimate and cosy room, with a dozen candle lit tables, and maximum capacity of 50.

With the support act was just finishing his sound check.
Eleanor passed through. She was naturally surprised to see me.
We had a quick chat about her forth coming Australia tour and of course her visit to Taunton in May (get your ticket here)
After she'd gone, I had to return down stairs for a refill. As a drinker, I did find a couple of drawbacks of the venue. No.1. The Guinness pump is on the 1st floor, secondly the loo is in the basement, and of course NO SMOKING. outside for us social pariahs. But I guess that's something I'll have to get use to, when England's smoking ban comes in to effect on July 1st.

With the room two thirds full. Robin James Hurt. The support act sauntered to the stage at 8:40. Singing songs reflecting his Scottish Homeland. With the cappo fixed permanently down the neck of the Guitar. His finger work was superb. along with clever lyrics. he had the audience spell bound.
Click the link and listen to 'Spiders Legs' and Hexamshire Lass.
A real joy, and a really nice fellow to boot. I could of listened to Robin all night.
His six songs tonight.

1. All The Way Down
2. Dowie Dens of Yarrow
3. Bogey's Bonnie Belle
4. O' Raging Fortune
5. Spiders Legs
6. Hexamshire lass
(dedicated to former Hexhamshire lad Pete Doherty)

But of course I was really only here for the main act.
So after a trip once more into the bowls of the building.
I was ready for Eleanor McEvoy.

We were treated to twenty-one songs of of flawless quality.
(with a small break mid way) As usual most of the numbers were there from 'Out There' and 'Early Hours.' The recent albums.
The ease at which she switches between the instruments on the small stage, is amazing. Tonight, we had a Bass Guitar, Acoustic Guitar, Electric Guitar, Mandolin, and Fiddle.
There were a couple of surprises tonight. Half way through the first set she launched in to 'I'm happy just to dance with you'
a Lennon/McCartney number which fitted in perfectly within the set.

At the start of the second set Eleanor did mention about this chap who follows her, and had been to many gigs in England. And he's here tonight. So yours truly had to take a bow.

Back to the music. Eleanor has also recently been doing other covers, namely Joni Mitchell's 'Cary' and Bob Dylan's 'I'll be your baby tonight' For these two numbers announced that with the small audience it would be better if I was down with you. So bringing her Guitar down, she sat next to me in the middle of the room. It was spine tingly perfect. We all joined in with "Baby Tonight"
It was music as it should be.
Back on stage we had couple of Reels on fiddle to finish. Leaving the stage to gushing praise and applause from the small, but appreciative audience.

After wishing her Bon Voyage. She's off to Australia on Sunday.
(If you're reading this in the Antipodes, you're in for a treat and
Upcoming Shows can be found at the MySpace site) I made made my way back to the Hotel, in the knowledge that her next gig on the British Isles will be in my home town.
A wonderful night. treated to two fine artist. in an excellent venue.
My house was plastered, I was plastered, but deliriously happy.

The Set List

Little Look
Easy in Love
Fields of Dublin 4
Quote Unquote
Mercy Mercy Me
I’m Happy Just To Dance With You
Territory of Poets
I'll be Willing
The Way You Wear Your Troubles
********************
Suffer So Well
Days Roll By
Whisper a Prayer to the Moon
Did You Tell Him
Non Smoking Single Female
Only A Woman’s Heart
Isn't it a Little Late
Cary
I’ll Be Your Baby Tonight
Wrong So Wrong
Paddy Cathy's Reel
plus one other Reel that
even Eleanor forgot the title
So we'll just call it a Reel in 'D'

Invention - All Pats Pending

2007-02-18T19:12:00.000Z

After a very successful Christmas My Space Bash,
Parry:Matthews have organised another.

So welcome back My friends

to the show that never ends.
The Valentine My Space Party 2007.

Held once again in the St. James Memorial Hall. Now known by musicians across the West as the Invention Studio's

Fellow muso Pete Morley, and myself arrived in good time. We went straight to the Lamb & Lion for a pie and Pint(s) and to watch Reading Reserves eek out a draw with Man. Utd. in the FA Cup.
suitable refreshed we headed across the road to the Venue.
All ready in full swing.

So with apologies to Stench Limbosa, we went to the crypt first where Anna Parry & Erica Crawford were doing an acoustic set. They were joined by Rob Phillips who's set included 'Freedom' is a beautifully crafted number. And 'Smells Like Teen Spirit' the Nirvana classic.

It was then it was back up the narrow staircase to see four young lads from Glastonbury. Namely Tijuana. their set was full of energy and enthusiasm. The blurb on them states their influences being Red Hot Chilli's and Rage against the Machine. You could tell.
And I'm not really a fan of either of those bands, but I could see these guys again. Miguel Santana had a stage presence belying his geekish schoolboy looks.

Next up on the main stage were the band that were the main reason Pete and myself had travelled to Bath.....
Parry:Mathews
They only played 6 songs, but each one was pure quality.
With a screen backdrop projecting various images.
The set was...........

1. In Deep/Aqua
The chanting and Drums of In Deep, segued into the chanting
and Guitar of Aqua

2. Do Ya Love Me?
With it's haunting rhythm, it just washes over you.

3.Smiling
A new song from the pen of Si Matthews

4.Let It Hurt

5. Where the Music used to be
These two anthems to me define what a great band they are.
Anna's strong vocals fit perfectly to the guitar's played by Si and Rob along with Erica's backing vocals. Not forgetting bass player Neil Swift and drummer Tom Hammond

6 The State I'm In
Another well crafted new song.

One day I'll see a Full set. I don't think I'll tire of this band. As long as they don't tire of me.

The set over, it was time to move downstairs. Almost perfect timing.
The Little Girl Blues was in mid set.
I love this girl. Accompanied beautifully by electric Cello, Leanne Walsh's powerful lyrics, and gentle guitar playing, can tug at the heart strings. And it was lovely to chat afterwards.

I should also praise Dizzy Drummer, who worked tirelessly through the evening acting as Compère again. As she had in the previous Bash and also adding her unique touches to the acoustic acts on her Toms

Before the next loud set upstairs, I took my leave outside for the customary smoke. Only to be admonished by Stench Limbosa and
Tessa Bickers for missing their sets.

Wow The Girls are on next. Don't get too excited gents.
Well maybe do. Four guys who Rock.
Sledgehammer Grunge Rock that is, with a hint of reggae.
Powerful stuff.
The night was closed by a storming set by Fortune Drive Funky stuff, from a polished very tight bunch of guys. It was a spell binding performance that had everybody dancing.

The evening was at an end and everyone made their weary bodies home after some wonderful sounds. All in admiration of Si Matthews and Anna Parry for organising the party.

It was their invention. At the Invention Studio's.
I think you've got the patent folks.
And they are planning another in April.
A double header. two nights of superb My Space Musicians.
I can't wait.

As you've guessed all the music can be found on My Space. Click my links, Enjoy, and we'll see you Where the Music ought to be.

Oh What A Week That Was

2007-01-12T20:30:00.000Z

Monday 8th Jan.

The man from the Brewhouse Theatre, Taunton, delivered the brochure for the forthcoming Spring season at my local Arts Centre. Imagine my delight when I found out the talented Irish Singer-songwriter Eleanor McEvoy was to play ( at long last) in my home town in May.

Wednesday 10th Jan.
Bought tickets

Thursday 11th Jan.

Thought it only right to thank her in person. So it’s off to Swindon to see Eleanor, where she was supporting Homespun, at the start of their UK tour.

---------------------------------------------------------------------------------

Eleanor McEvoy & Homespun
The 12 Bar,
Swindon
11 Jan. 2007

I arrived in Swindon mid afternoon on a extremely windy day.
And as previous readers will know that on my travels I always seem to find ropey Hotels to stay in. I failed miserably this time, as I stayed in a very comfortable, though lacking in character. Holiday Inn.

I found the venue, looking like, and indeed was, an old Irish Ale House. A comfortable Bar at the front with the Hall set behind.
Not for the first time I arrive early. Just myself and the genial barman for a good half hour.
As arranged, I met the much traveled Martin & Sue Hutton, who had come down from Essex. (they travel all over for gigs)
We had time for a couple of beers, while we waited for the room to open.
As we waited for the first act there were probably only 35-40 people in. though all where friendly. I met Julia and Mum along with Chris who came in later. It was like the start of a new season , friends meeting up again after the Hols.
Eleanor spotted us just before going on, expressing her delight in seeing us there. (She’s no longer shocked at the distances we travel)
And I was able to express my delight when talking to her about the up and coming Taunton gig.

Eleanor came on, looking resplendent in a bluish flowery jacket with golden thread embroidery. I’m no fashion guru, see for yourself.

The set consisted of 9 songs all bar one on acoustic guitar. the last number on mandolin.
A long drawn out note to try and get the audience attention introduced the first number “I’ll be willing”
Then it was straight into the Bluesy number “The way you wear your troubles”
It was at this point that I looked round to see Dave Rotheray watching from the Bar and also A lot more people had come in. In fact it had become quite busy. ( comfortably packed).
The Celtic Tiger song was next “Fields of Dublin 4” So called as

Dublin 4 is a very affluent area of said city. Much laughter when she asked if Swindon had a similar postcode area.

I don’t know what the performers think. I know they play and get paid. There was quite a lot of chatter from the audience, and when your there to listen it can be a little off putting.
The remainder of the set was over fairly quickly. I think due to the fact no one was listening there was not much talk between numbers.

It was however good to see Eleanor again. She puts a lot of emotion into her songs, and with her Irish accent , the stories within her songs are beautifully told. Case in point the stripped down version of Marvin Gayes “ Mercy, Mercy Me” A song about the Planet and what we’re doing to it.
A quick thanks, and CD’s are for sale at £15 and the set was done.

A brief break. Time to get a refill. and It was time for Homespun.
The stage cluttered with nick-knacks, (standard lamps, dumb waiters, and nodding dogs)

As the band entered the stage. Something was amiss, Clare Mactaggart, was missing. Another lass, Ros Stephen was in her place. A Bittersweet Violinist. And at very short notice she fitted in well.

I found out later that Clare was about to give birth. So Best Wishes Girl. Good luck.

I love the informality of Homespun sets, and this was day one of a 15 day tour. All the numbers for the band, are penned by
Dave Rotheray. And each have a small tale on how they came about.
The second number (a new one) “My Sorrows learned to swim” must of had a certain Paul Heaton in mind. Drowning his sorrows.

Another new one was “ Short Story“ did indeed have a short story to tell. Dave would make a good dead-pan comedian, especially when, at Eleanor's expense, quipped the price of their Cd's there were only a fiver each. Buy one of hers, and three of ours.

Two other new songs were on the list,. however one “Footsteps” was aborted after a few bars, when they for got how it went. I’m sure it’s a good tune - but not tonight.There was one other cock-up.
On “Unfortunately Young” The first song they ever did as a band, Alan Jones completely missed his Guitar solo. But like true professionals. they re-did it. So "Jonesy could have his bit in the spotlight

Special mentions should go to
Melvin Duffy on Pedal Steel Guitar, who gives this band it’s unique sound, and this is beautifully complimented with Gary Hammond's soft style on Percussion. And of course Sam Brown is just perfect. An absolute joy.

All the songs , bar the four new ones come from their first 2 Albums.
A third is on it’s way in March/April
And I am looking forward to having it in my collection. Though I might well Download it, then it could possibly get in the charts.
The set finished with the usual encore. Lindisfarne’s
"We shall Swing together” a great sing along song to finish the night .
(and not a homage to Saddam)

The set might of finished , but the evening was not.
I had another chat with Eleanor re her forth coming Australian tour, and of course the Taunton gig
17 May at the Brewhouse Theatre. tickets on sale now.

I then did my bit as roadie. Helping the band load the van, before coiffing a few more ales.

But Guys I wont give up the day job. as long as you don’t give up yours. An exceptionally Good night, with Good Friends, Good Ale and Great Music.

Do visit their MySpace sites Eleanor McEvoy & Homespun
Also Bittersweet Which I believe is one of Ros Stephen's other projects.

Happy Christmas

2006-12-24T17:06:00.000Z

I would like wish all my readers a very merry Christmas.

Especially Cheeks'n'Paste for the laughs,

Parry:Matthews for the music,

E~Marie for the Glamour,
and to

Graham for his friendship and the use of his Shed.

And A Happy New Year To One And All!

Wrong Song Right Tune. A My Space Bash

2006-12-03T19:00:00.000Z

The My Space Christmas Bash,
The Invention Studios,
Bath,
2nd December 2006

Having enrolled in MySpace earlier this year. One of the first things to do obviously, is to get some 'friends.' Scrolling through the music section of the site, I came across the Band Parry:Matthews. Their music sounded great, and I loved the profile and their witty, tongue in cheek influences. When the chance came to see them 'Live' at a MySpace Christmas Bash in Bath, I could not refuse.
So, along with friends Pete and Tracey, we headed up the M5 for the evening's event.

We Found The Invention Studios, possibly a converted church tucked away in a small back street after fighting our way through the late night shoppers and tourist. Thankfully just 20 yards from tonight's entertainment was the conveniently situated Lamb and Lion Pub. And after a repast of a few beers and nosh, we made our way across.

We walked into a small foyer with the Main Hall just to our left. Though to get to the acoustic room, it was downstairs two right turns and a left. and at the end of a corridor. Appearing tonight were 14 artiste, all who are on MySpace,all showcasing their talent.

We couldn't see every turn obviously, but, like most people there,
we still were up and down like Yo-Yo's through out the night.

Starting in the acoustic room was guitarist for Parry:Matthews, Rob Phillips. just a three/four of gentle numbers with Anna Parry putting vocals to one. I unfortunately missed Dizzie Drummers set, though she was acting tirelessly as MC and adding percussion to any artist who needed it. Tessa Bickers set was a Little bit of a let down, pity, an accomplished singer/songwriter with a soft voice was drowned out by the pumping beat from the stage upstairs.

The best of the acoustic set was 'The Little Girl Blues' with Leanne on Guitar and vocals and Trisha on Cello. First impressions you'd think Leanne fronts a rock band, but she has a great voice and written some excellent tunes. The wonderful haunting 'Laugh When it Rains'

is an absolute joy.

So Moving upstairs Matt Prosac aka the 'Cabaret Rat' gets first mention. His lyrics are coarse disgusting say what you will. but that aside this man did three 15 minute sets on his own and commanded the stage. Powerful, rude, a little bit comical, but I absolutely loved it. I met him afterwards he's a real diamond, and certainly well worth seeing live.

Now the stars of the evening where the band that made us come

to Bath in the first place. Parry:Matthews. You always wonder when you've heard a band's recording, whether they can match up to it live . Well the answer with this band is a resounding YES.
In a sadly curtailed set, due to a previous act over running. They had us spellbound. Anna Parry's voice hits you in a similar way Stevie Nicks does.

Simon Matthews is all energy on lead guitar and the supporting cast of Rob Phillipson Guitar Erica Crawford, backing vocals. Not forgetting Tom Hammond and Neil Swift.
'Do Ya Love Me?' is so hypnotic, you can not help but move to it.
'Let it hurt' another powerful song. I read a review recently where the reviewer said their daughter cried after being played it.

I can well believe it. It's a beautiful track.
Then their set was over, way far too short.

'Wrong Song' didn't get played, but the music is all right.
But THANK YOU guys for putting this night together

And we still we had time to pop downstairs to see a very attractive, although looking a tiny bit nervous Hollie James, and then back upstairs for 'The Heys' to play out the night.
An excellent night. Super music and to finally realise that the icon's on my profile ARE actually real people. MySpace really does create friends. Some of whom, I'm looking forward to seeing again.

Other Links for your Listening Pleasure

The Heys

Red Light Go

Tessa Bickers

Hollie James

Congratulations To Me

2006-11-23T19:54:00.000Z

Well it's taken time, but today 23rd November 2006 at 19:35
I have reached 1,000 hits.
Whoopee!
Now all I want is some wickets.

7 Nights in October

2006-11-04T20:41:00.000Z

A few days ago, Whilst checking my E-Mail as usual, I found that fellow fans of Eleanor McEvoy, Martin & Sue Hutton ( who I met in Wolverhampton) had posted an account of their trip round Britain, to the followers of Eleanor McEvoy. With their kind permission, I am reproducing it here. It just goes to show what fans will do in the quest for seven pleasant evenings, great music, and friendship.

We're back home, and recovering from a holiday of a lifetime.

We can hardly believe that eight days seemed to pass so quickly especially when you consider all that we packed in. Yes, if you haven't guessed by now, we are the folks Eleanor talked about in her recent pod cast. The planning started some time ago when we decided that the joy of seeing Eleanor and the destinations on her UK leg of her tour had us hooked.

The adventure really started on Thursday 5th setting off from deepest darkest Essex and driving the 213 miles to Chester. Despite the rain we managed an open top bus tour of Chester and had the full devoted attention of the tour guide as we were the only one's on tour. Alexander's in Chester was an excellent location and a very well attended evening. We were both worried and amused when in the second half she declared that after a conversation with the promoter in Arran no tickets had been sold. Of course we knew that at least two had been sold or at least that's what we hoped as the arrangement was to collect at the venue.
We could hardly resist at the end of a superb performance letting her know that we too were Arran bound. Much to Eleanor's amazement.

The journey to Arran was long and took most of the day on Friday, but we managed to get there in time for the 15:00 ferry. On arrival we had some more concerns, a notice that ferries may be delayed or cancelled due to bad weather greeted us. Something that wasn't accommodated in our tight schedule! Fortunately the ferry was prompt and we just hoped that the 'Tour Bus' had made it too. If we were thinking of a song to sum up Arran on Friday it was definitely
'The Rain Falls'. Torrential rain fell most of the afternoon and drenched us on our way to eat at a local restaurant.

The McAlpine hotel, venue for the concert and our room for the night was just yards from the ferry terminal. The highlight of the hotel was the hospitality and the enthusiasm of Tam the hotel manager and promoter for the evening. Tam had an incredible sense of humour and this was evident in the sign displayed at reception -
'Any unattended children will be sold as slaves'
The audience was small but not exactly just the two of us, about 30 people in an airy ballroom in the hotel with a magnificent mirror.

We managed to fight through the crowds and get a table in the centre at the front and our quest for the day was rewarded with a fantastic performance including our request from the Chester Set of
'To Sweep Away A Fool'.
The audience were very appreciative and it was pleasure to have no background distractions of a bar in the same room, which usually brings with it washing glasses and stocking up.

Saturday morning the sun shone on Arran revealing the true beauty of the Island and encouraged us to take a short walk along the coastal path. But no time for resting when you're OUT THERE on tour!

We boarded the ferry and bid farewell to Arran. Next stop Coatbridge.
A much shorter journey once we had reached the main land but complicated by a SatNav failure. Resorting to a manual option of a map book and road signs we successfully reached the Georgian Hotel. Once again venue and our bed for the night.
We had expected to eat in the bar before taking our seats but had taken no account of Scotland playing France at football and a 5pm kick-off didn't make eating in the bar a peaceful choice.
So we set off to see what Coatbridge (small suburb of Glasgow) could offer and the best we could find was a kebab supper (i.e. with chips). We guessed that France had scored with the roars and cheers from the bar, but the match ended 1-0 to Scotland.

The venue for the concert was a large function room at the side of the hotel with a bar. The audience were the largest and the noisiest of the tour and the promoter even had to ask people to be quite during the first support act. (well done that man)
As Eleanor took the stage they were far quieter. She was brave enough to sing 'C'est bien' in the second set, but it was well received particularly as the Scots had won.

The journey was getting shorter each day. Sunday 8th October and Edinburgh was our destination. Just a 40 minute drive and no boats! We had decided that Sunday required some luxury for us and we checked into the Sheraton Spa and spent most of the afternoon indulging in pure relaxation in the Spa.
After dinner in the hotel we walked the rain drenched street of the Holyrood district and after asking directions from a couple of students we found the Cabaret Voltaire club. A small venue with no windows, which appeared to beset in the vaults of a tall granite building. The audience were quiet and very appreciative and some had travelled far. A man buying CDs after the concert had travelled down especially from Aberdeen (about a 4 hour drive) and was quite a recent follower. In fact he had heard the Out There CD in a music shop and was immediately enthralled.

Our own discovery of Eleanor had been while she was supporting the Homespun tour in 2005, and we were delighted to hear an acoustic version of 'Effortless Cool'. We were also surprised to hear her sing

'I Hear You Breathing In' from Yola, which we hadn't heard live before.

Monday 9th October and heading back to England. We had more travelling today to get down to Doncaster and the A1 provided us with a scenic journey through the borders. Unfortunately not both of us could attend the concert in Doncaster as an Open University exam needed Sue to be in London. We had told Eleanor in Edinburgh, so she wasn't too surprised when Martin attended with another woman - his sister who lives near Doncaster. She had a wonderful evening and got her copy of 'Out There' signed for her birthday.
Recognised a few people from the Wath-Upon-Dearne festival in April and Ruth joined Eleanor on stage for a duet of 'Only a Woman's Heart'.

The Hull venue was the smallest. The New Adelphi Club is situated in a residential area of Hull quite close to Pearson Park. The crowd was few in number (about 35), but they were appreciative and there was plenty of banter, particularly when Eleanor asked if an Irish woman with a van would be required to pay a parking ticket. We were rewarded for our request in Arran and Eleanor finally played an excellent version of 'Trapped Inside' -a delight!
Perhaps in recognition of the local connections with Homespun she also played a Homespun number, 'You Are Here'. We had hoped that Dave Rotheray would make an appearance but unfortunately, he wasn't in town.

Thursday 12th October. And we had finally reached the last destination of the tour (for us anyway) in Wolverhampton. We thought it only right that just before the concert, at The Little Civic, that we presented Eleanor with a token of our appreciation.
And the most appropriate gift was a 'Set List bag'.
The bag contained a bottle of Beaujolais Wine, Jameson Whisky, Champagne, Coffee, Milk and of course Bread. In return she played
'Its mine', 'My Own Sweet Bed Tonight' and 'Biochemistry'.

We were also thrilled to hear 'Memphis Tennessee'

and 'Stray Thoughts' for the first time on this tour.

We never tired of seeing Eleanor play for 7 nights and there were always changes to the set list. In total we must have heard about 40 different songs with regular appearances of 'Fields of Dublin 4',

'Suffer So Well', and her latest single 'Non Smoking Single Female'.
It was all the fun we had expected it to be.

And of course the finale was to arrive home, and find that we had even got a mention on Eleanor's latest Pod cast.
What a holiday!

Sounds absolutely Great.

So like Martin & Sue and my self you'd like to become a follower, go to the Eleanor McEvoy site and join.
You can also hear some of her music and the mentioned pod cast on her MySpace site before you go and pester your local record shop.

And of course if you'd like to join us and see her 'Live'.She will supporting Homespun on some of their gigs in January 2007 in the UK.

The Iguana's are back in their Pen

2006-10-15T15:31:00.000+01:00

Louis and the Iguanas
The Pen & Quill,
Taunton,
14 October.

It was good to see the Bar packed prior to the Set. In attendance tonight. To see Taunton's premier 'Covers Band' were, The usual posse, The Wolfette's, Steve Knight, Danny Corrick, and Caroline, Glen, The family Garbutt, plus myself, and many others.

The background music stopped the lights were dimmed, lead singer Russ growls into the Mike. The usual refrain. " There is no Louis. There are no Iguanas. WE ARE Louis and the Iguanas"

Then, with the familiar opening chords it was straight into Van Morrison's "Moon Dance" This super catchy number got many people on to the dance floor instantly. Next up, I would like to say seamlessly, but I'd be lying. Was the equally familiar Bass riff that welcomes in " Turn on Tune in Cop out" by Freak Power. Harry Proctor on Sax, and Neil 'JJ' Woods on percussion are really on song tonight, and it is belted out, wonderfully.

Regular Louis followers did, however, notice a change in the line-up tonight. Too which Russ notified us prior to the next number. New, and also on Sax. Mr Chris Brown.

Chris is replacing Neil who is quitting the band later this month. I talked to 'JJ' after the gig. He doesn't think so, but I think he's going to be missed. Also tonight, as Russ pointed out they were a singer short tonight Mr Joe O'Sullivan is still recovering from an operation. Get well soon Joe, Louis needs you. And as Russ eloquently said, when introducing the next number.
"What is Life".

And so the set continued an excellent fusion of sound. A mixture of Ska, Reggae and 70's Pop.

The second set opens with a stunning cover. A Fleetwood Mac song, although better known as a hit for Santana, "Black Magic Woman." Julian Saxby, the Sandi Shaw of the band, (bare feet) shows with his Guitar solo in this number, the quality of musicianship within the local band circuit.

More sounds came blasting at us. Music from the pen's of Junior Kelly, Eddie Cochrane, Frederick 'Toots' Hibbert, & Stevie Wonder. Their closing number is a real hoot, Warren Zevon's "Werewolves of London"
With a Madness classic as an encore.

True, the sound was a little fuzzy at times. (possibly the PA set-up or the atmospherics of venue) It wasn't really noticed, and no one would of minded anyway. It was Saturday night and everybody was dancing.
It could be said that some of the band may look like aging Hippies, but they sure know how to pull in a crowd.

This band bill themselves as "Cold Blooded Groovers." But I can truthfully state, we were all Hot Blooded by the end of the night, and maybe just a little bit sweaty. A crackin' night.

The Band:
Russ Needham - Vocals,
Harry Proctor, and Chris Brown - Saxophones,
Neil "JJ" Woods - Trumpet & Percussion,
Julian Saxby - Guitar,
Andrew "Greta" Garbutt - Bass Guitar,
Rocking Robbie Howlett - Keyboard,
Colin Mansfield - Drums,
& apologies for absence - Joe O'Sullivan.

The Set:

Moondance
Turn on Tune in Cop out
What is Life
Johnny B Goode
New Bell
Low Rider
Mustang Sally
I Feel Good
Last Night
Smooth.

Black Magic Woman
54 46 (what's my number)
Rudi, A Message to You
Receive
Reggae to the Rescue
Pick up the Pieces
Somethin' Else
20 Flight Rock
Play That Funky Music
Superstition
Werewolves of London

One Step Beyond
Wooly Bully

And if you would like to have "Your Socks Rocked Off!"
Head for The Anchor Inn, Hillfarrance, Nr Taunton.
on Saturday 28th October

If you would like to book these Cold Blooded Groovers,
Please contact Glen.

Out There, One Night In October

2006-10-13T13:09:00.000+01:00

Eleanor McEvoy,

The Little Civic,

Wolverhampton.

12 October 2006

Having arrived early in Wolverhampton. I checked into my so called Hotel. Why I always seem to choose grotty dives to stay, I don't suffer so well. It was, however, central and within easy reach of the Railway and The Little Civic. Which I found easily.

And where tonight I will be willing to see Eleanor McEvoy.

Days have rolled by, One year since I saw this Irish song'stress, and with her new album just released ( see Review) Call it biochemistry, but I knew I had to be there.

I made my way to the venue an hour prior to the time stated on my ticket of 7.30. I stepped inside to a very sparse bar/ booking hall. but when I made my way upstairs to where Eleanor was finishing her sound check, I walked in to a room that had the feel of a well used music venue. Stage at the front, with tables and chairs in close proximity. A dimly lit chandelier overhead and small bar at the back. But what gave this venue it's feel was all the posters of bands past and present, bringing back memories in some, and who? in others.

Inside I met fellow followers Martin and Sue, who I knew from previous Gigs, along with Clare, who recognised me from another. Prior to the start and we positioned ourselves at the front.

As I have read in a previous review of this tour. All her instruments were placed in various parts of the stage. Eleanor bounded on to it at 8.50 picked up her Acoustic Guitar, and after a blast of feedback, and, a request for the background music to be switched off,

( at least we could tell it was live) The Evening commenced.

After her second number. "It's Mine", one I hadn't heard live in a while, Eleanor stopped and said "I must show you this" and she produced a gift bag from behind her on stage.

It was a present from Martin and Sue.

They had been to every gig on this tour and had given her this gift containing Items contained in her lyrics. First out of the bag was a bottle of Beaujolais Wine, mentioned in the last song, then a bottle of Jameson's, and a bottle of Champagne. together with some bread and tea. Eleanor gave references to each item as the evening progressed.

And progress it did with her moving seamlessly from number to number, instrument to instrument. There was one moment when she had to pause to re-tune. She said we were so kind, to which one wag shouted, "Get on with it" which brought a smile to everyone there.

One thing this lass doesn't do is stop. Even during the break she was selling her albums at the back. Signing, and chatting to us all. which wasn't difficult as there were only 30-35 people here, (poor promoting) but it had a wonderful intimacy about it.

Just a shame the record company wouldn't let her sell the new album, but there was plenty from the back catalogue, and a lots were sold.

The evening, like most of her sets, is over too soon, finishing tonight with a Bob Dylan song. No Encore tonight...shame. But It was one of my most enjoyable in her company. Her versatility on so many different instruments, the lyrics and the stories. So quote unquote.

I Hope it ' isn't too late' before I see her again.

I can only apologise for the blatant use of song titles in the making

of this review. Oh and one last thing.

If ever you're needing accommodation in the Wolverhampton area, Don't stay at the Fox Hotel.

That was the only negative thing during my stay.

The Little Civic Set List.

PART ONE

Acoustic Guitar

1. I’ll Be Willing
2. It's Mine
3. Non Smoking Single Female
4. Quote I Love You Unquote
5. Memphis Tennessee

Bass Guitar

6. Little Look

Electric Guitar

7. Mercy Mercy Me
8. My Own Sweet Bed Tonight
9. Territory Of Poets
10. The Way You Wear Your Troubles

PART TWO

Acoustic Guitar

11. Fields Of Dublin 4
12. Did You Tell Him
13. Biochemistry

A cappella

14. Stray Thoughts

Mandolin

15. Suffer So Well

Fiddle

16. Driving Home From Butlers
17 Paddy Cathy's Reel
18 Wrong So Wrong

Acoustic Guitar

19 Isn’t It A Little Late
20 Only A Woman’s Heart
21 I’ll Be Your Baby Tonight

Chester 5 October Review By Graham Ashmore

Eleanor on MySpace

The Night Crewkerne Went Still

2006-10-07T13:07:00.000+01:00

The Reg Meuross Band,
Crewkerne,
6th October
2006

Reg Meuross bought his brand of gentle Country numbers home last night at the official launch of his new album "Still",

(although available since July)

The venue, in Reg's home town, was the grand sounding venue of

The Victoria Hall in Crewkerne's Town Hall.

Grand it may of sounded. Small it was. The upstairs venue, looking just like one of the village halls he has been visiting over the past year but with a high curved ceiling. It was a sell out. At least 200 of us there. After the usual house rules, Reg was invited on stage.

Warm applause, and brief "Hello nice to be here", before starting off with a couple of solo acoustic numbers. The first tune was a new one to me "Dragonfly." I believe it is a cover of one of the fellow artist.

Miranda Sykes, Roy Dodds and Howard Hughes (not the recluse, the one who used to play with Ron Sexsmith) then joined for the next three numbers. Those there expecting John 'Rabbit' Bundrick tonight were not surprised to find he was still in America playing with Messer's Townsend & Daltry.

Reg. Clearly enjoying his night, playing with friends, then invited

Phil Beer (Show of Hands) and Jackie Oates ( Rachel Unthank and

The Winterset) on stage for a rousing version of "And They Danced"
The first set concluded with the bonus track from Still,

"Is it me or Elvis" which did encourage some audience participation. Ending the set with the jolly lilt of "Man in the Moon".

I could be a bit critical now. Reg was having a ball. We in the audience were appreciative. But you wouldn't know it. When they played "And They Danced", I wanted to, but it is hard to do so

when 90% of the audience sit arms folded and just clap at the end.

After a longish break (CD buying, Fag smoking and Raffle)

Reg and Phil sneaked back on stage Sitting down, for a couple of soft tunes, with Guitar and Fiddle. Phil is a versatile musician and although he's only heard these tunes a couple of times, and not his usual style. He played with a great feel and enthusiasm .
Jackie then joining them for a lovely rendition of "Jealous"
Jackie Oates doing Country there's first.

When the rest of the ensemble re entered the stage they were joined by Vashti a singer/songwriter in her own right, who was lauded by Reg. Difficult to make my mind up here. It could of been where I was sat. Miranda's backing vocals are so strong and clear.

(You could say Bliss, but that's just shameless promoting)

But I couldn't make out Vashti's voice. Which is a shame, because after visiting her Myspace site, I found out, the lass can sing.

My favourite number of the night was, to my ears. "My Nirvana."
And I want to be the first to say this,

"Reg Rocks."

The Evening finished with probably Reg's best known song

"The Goodbye Hat" and two encore numbers, that could of in my eyes, been a little bit more stronger. I know this is selfish of me, but I feel the set list could of done with a bit of re jigging.

All in all though. I thoroughly enjoyed the night. The hall with it's high curved ceiling lent itself to excellent acoustics. And Reg who does get many talented musicians to play with him, performed to their usual high standard. It was lovely afterwards talking Phil. Show of Hands used to play in my local. (before they were famous) Jackie, who I know quite well from The Winterset. And Reg, my MySpace friend.

I also met fans of his there, who had travelled from far and wide for the concert. He's getting quite a following.

Reg Meuross lyrics always do tell a Short Story. Still.

1st Set
Dragonfly
Good with his Hands
You Left me Crying
Edward Hoppers Bar
Down To The River
And They Danced
Something New
Me Or Elvis
Man In The Moon

2nd Set
The Poacher
Jelous
Days Like These
I'll Come Back
Don't Give Up
All I Want
Worry No More
My Nirvana
You Face
Goodbye Hat

Encore
Backdoor Man
Back Home To Me

The Band & Links

Reg Meuross, Guitar

Miranda Sykes, Double Bass & Harmonies

Roy Dodds, Drums

Howard Hughes, Keyboard,

Phil Beer, Fiddle, Guitar & Mandolin

Jackie Oates, Fiddle

Vashti, Harmonies

The Whole Wide World

Tim Symes

Flook I'm in Haven

2006-06-07T09:23:00.000+01:00

Flook,
The Brewhouse,
Taunton
6 June

I arrived at the Brewhouse Theatre absolutely knackered after a 10 hour stint at work. Thirst things first, was to enjoy a pint (or two) in the evening sunshine. Sitting outside I noticed a lack of people here. This was more noticeable when I entered the Auditorium, less than half full.
Shame.

Though once inside I did meet fellow music followers
Steve and Charlie Knight.
We'd come to see a band I've heard much off, but this was the first time I'd seen FLOOK.

The lights dimmed at 7.50 and the band walked on to polite applause, a little bit of tuning, and an introduction
" Hi we're here to play some tunes cause that is what we do"
and it was straight in to the first set, all from their latest album "Haven" dispersed with humorous banter on how and why and how the numbers came about.
The Whistle blowing was to use a pun, mind blowing,
by the lead man Brian Finnegan.

Sarah Allen on Flute and Accordion ( not at the same time ) was her usual professional and joyous self. I'd seen her before working with Reg Meuross in the Short Stories Band. She was also a founder member of The Barely Works which she was reminded of; when she saw Steve's old moth eaten Barely Works T Shirt.

There was also an intro competition prior to one tune instigated by Guitarist Ed Boyd. Which after being told how an Essex crowd had done the previous night, it fell flat on Somerset ears.

The second Set, after an elongated break, one of the band still at the bar.
Was again mainly from "Haven" with a couple of other tunes thrown in. The audience did appear more awake in the second half, some even clapped along. Though I think we were all blown away with John Joe Kelly's Bodhran Drum solo.
Truly superb.

The second half flew by, and with an encore of Jigs, this enjoyable evening was at an end.

The Set

Wrong Foot Forward

Mouse Jigs

Souter Creek

Gone Fishing

Asturian Way

Road to Errogie

---------------------

Macedonian Oro ??

Padraig's

A Swedish Love Song

(didn't catch title)

The Tortoise and the Hare

(inc the Bodhran solo)

Pressed for Time

Encore

Ballybrolly Jigs

I would like to give a special mention to the Brewhouse, who over the last few months have treated us to some fine Folk music.
Rachel Unthank and the Winterset, Last Nights Fun, Kathryn Tickell. And of course Flook.

The acoustics of this small theatre are excellent,

but a theatre half full doesn't help.

Put these bands in a marquee, add some ale and the atmosphere would be far better and get a younger, more enthusiastic crowd in.

In Memory of

2006-05-23T12:33:00.000+01:00

"Thomas"

(my best friend)

9 Nov 1989-23 May 2006

aged 16 years 7 months

Now I lay me down to sleep,

The king-size bed is soft and deep...

I sleep right in the centre groove

My human, he can hardly move!

"Sleep tight old mate."

R.I.P.

Thank You, Miss. Unthank

2006-02-24T14:15:00.000Z

Rachel Unthank
& The Winterset,
The Brewhouse,
Taunton
21 Feb.

If you've come across my Blog before, you should know from previous entries that I'm looking forward to the
Trowbridge Village Pump Festival.
So I was mega pleased to see that my local theatre was having
a series of Folk evenings.
The first being on Tuesday night.
Rachel Unthank is receiving critical acclaim at the moment
for her Debut Album "Cruel Sister" and she and her group are currently in the middle of their first tour.

The girls, sisters Rachel & Becky Unthank,with Jackie Oates, (Viola) and Belinda O'Hooley,(Piano) arrived on stage at to generous applause from a small, but appreciative audience,
The instruments used sparingly, giving the voice centre stage.
We were given a mixture of Sea Songs, Reels and Traditional & Contemporary folk music. plus Clog Dancing. And although it is Rachel's voice that is getting the plaudits. All four girls took their turns singing lead.

There were a couple of hitches during the set, Rachel's Cello not being in tune, and Becky getting in a mix up over mike stands, plus a couple of silences where the they forgot what was next.
But I can forgive them that.
The music was a joy.

The Set.
On a Monday Morning
Blackbird
Fair Rosamund
My Donald ( Becky solo)
My Bonnie Lad ( I think?)
Raven Girl ( brilliant acapella)
A NorthEast Lullaby ( title not caught)
River Man (Nick Drake)
Stooking
2 reels ( Rachel & Becky clog dancing)
-----------------------------------
John Dead
(missed)
Cruel Ships Carpenter
The lily/Icbod (Jackie centre stage/ more clog dancing)
For Today I am a Buoy (Anthony and the Johnsons)
20 Long Weeks
Tar-barrel in dale ( audience participation required)
The Unst Boat Song
Cold and Stiff ( Belinda's own)
Troubled Waters

there were 3 numbers in the
Encore but I unfortunately missed the titles

The two sisters have lovely Gordie accents,
which give a wonderful feel to their songs,
along with larger than life Belinda & the music/ vocals of Jackie
This quartet is set to go far.
Get the Album, Go and see them. They're Good

A Homespun Yarn Part 2

2006-01-28T13:00:00.000Z

HomeSpun,
The Half Moon,
Putney.
27 January 2006

This was my second Gig at this extremely popular Pub/Venue.
Situated by the River Thames (and not a whale in sight)
It was also the second time at a 'Homespun' Gig
Having seen them a year ago with Eleanor McEvoy
in Worcester.

I arrived at the Pub in the nick of time, sweating buckets
after racing through London on a freezing night.
Ordered my "first" pint and then joined the queue to the music room. Whilst waiting I got chatting to a couple of guys who had also arrived at the pub on their own and once inside we met a third.
Four gents out on their own on an evening, or 4 guys who love live music? Definitely the latter

The Gig had a wonderful informal feel to it Plenty of objet d'art on stage, Dave's beer waiter stage left, an ornamental table centre stage, complete with nodding dog, and Fairy lights over the monitors. As Dave Rotheray said during the set that these items had been collected in various towns during the tours. To wich Sam Brown quipped "that's how the got me". I rather hope not.
Dave also had some mates in the audience, down from Hull.

The Set, all taken from the Band's two albums was a joy. A few of of us couldn't help but sing along , although we did get it
spectacularly wrong during Sweetness, thinking it was finished when it wasn't. Sam's vocals are perfect for Dave's Catchy lyrics, and I should give a special mention for Somerset lass Clare Mactaggart on backing vocals, Violin and Mandolin, also Melvin Duffy on Pedal Steel Guitar, who along with Gary Hammond on percussion and Tony Robinson on keyboards/Brass together give the band their distictive sound.

The Set.
If We're So Happy
Unfortunately Young
Anniversary Rag
Love Will Come Around
Sweetness
Don't Force Me To Be Free
ITALY
I'm In Your Head
Whistlestop Blues
Let Me Be Good
Rubber Duck
Did You Ever?
Days
Footsteps
You Are Here
and
Effortless Cool
( which should be dedicated to one of the guys I met on the way in, Phil Brooks, a Homespun fan, and real nice guy.)
The encore was the old Lindisfarne tune
"We Can Swing Together" with Sam on Ukulele.
A great sing-along tune to finish the night.
With the banter,and music with friends it made for a fabulous informal evening.
And four old farts went home very happy.

I should also mention the support.
A one Curtis Eller's American Circus
a Basil Fawlty/Ron Mael (Sparks) Look-alike, with a Banjo, with all the madcap/bandy leg antics you'd expect fom a certain Mr Cleese.
Songs about Pigeons, Moles, Buster Keaton, and Serpents,
with lots of yodeling.
Good Banjo player, just not so hot on Kazoo.
Crazy but very entertaining.

Oh and if your in the Putney area on 17th February try and catch
HANK WANGFORD & REG MEUROSS on their
'NO HALL TOO SMALL TOUR'

One Night in Bridport

2006-01-26T16:00:00.000Z

Reg Meuross and the Short Stories Band
Bridport Art Centre,
Dorset.
Sat. 22 Jan 06

Reg Meuross is widely regarded as one of Britain's finest acoustic singer/ songwriters.
He and his band where first noticed by me, at last years Trowbridge festival.So when I spotted he was playing in Bridport , I contacted a resident of Bridport.(My uncle John Lipscombe) and persuaded him that he, and his wife, Sue should come along too

Arrived early. was met by them and along with Sue’s son Jonathan
Had a good nose around this quaint old Dorset town.

Well replenished. An excellant Veg. Biriani ( thanks Sue)
We got to the Art Centre, only a short walk from their flat,
in plenty of time to get the beers in.
The Venue small, and looking like an old Methodist hall
(perhaps it was)
Seated at the back of the hall slightly elevated
we had an excellent view.

Reg and the band arrived on stage at 8pm. A quick quip about the heat in the venue and feverish activity by the Crewkerne gang and it was straight into the first number

I noticed the band was light right from the start (where’s the Violin)
explained by Reg during the set, that Sinaed had double booked herself , and was languishing in the South of France
8 numbers in all in the first half, and after a 25 min beer break
a 2nd set of 13 songs(inc the encore)
Unfortunately I can’t recall all (a bit tricky writing the dark)and alcholol kicked it's ugly head later in the night
The set had a mixture of a few new ones, along with others from
the Short Stories Album
With the absence of the Violin, others shone.
The Clarity of Sarah Allen's Flute playing,
The “Rabbit” on keyboards was having a whale of a time, dropping his sheet music and even taking photo’s of us.
The Drummers soft hands on a few of the numbers
But what stood out was Miranda Sykes on her backing vocals complimenting Reg through out were just spot on..
The evening was thoroughly enjoyed by all

The Set (what I can recall) was....
And They Danced, The Man in Edward Hoppers Bar, On Roslyn Banks, Davey Johnson,
You Left Me Crying, Worry No More, Jealous, Good with his Hands, Your Face Again,
Man in the Moon, & The Goodbye Hat

The Band
Reg Meuross : Guitar/Vocals
John ’Rabbit Bundrick: Piano
Sarah Allen: Flute & Accordion
Roy Dodds: Drums/ Percussion
Miranda Sykes: Double Bass/ Vocals

and missing Sinead Jones: Violin

In Fact Reg Meuross has put a fine band together here.
All exceptional musicians in there own right

A must see band if you like good song writing, superb musicians,
that gel together to make a good night out

2006. A Glastonbury Free Year

2006-01-19T13:30:00.000Z

So with Michael Eavis is having a year off.
(No Glastonbury in 2006)

And the cold weather upon us.

Are you starting to think about what to do

this Summer.

Worry ye Not.

Check out the......

Trowbridge Village Pump Festival 2006.

on 20th to 23rd July

The Line-up as of Jan 2nd

reads........

The Waterboys, Waterston Carthy,

along with daughter Eliza Carthy,
and The Ratcatchers.
Hank Wangford & Reg Meuross,

Suzanne Vega,

Altan, Osibisa, Gretchen Peters,

The Karine Polwart Band, Show of Hands, Los De Abajo,
Wailin Jennys, Nine Below Zero, Mary Flower,

Rachel Unthank and the Winterset,
Dana Gillespie & her London Blues Band,

Costo Rico, John Alderslade, Zydecomotion,

Allan yn y Fan, Keith Donnelly, Merv Grist Players,

Mr. Love & Justice, The Doghouse Skiffle Group,

Johnny and the Poorboys, Last Night's Fun,

Keith Christmas, The Buffalo Gals

and the Zig A Zag Cajun Band.

Along with
Mystery Juice, Praying for the Rain, Pronghorn, Pura Vida,

Vince Lee & the Big Combo. Swamp Donkey, RSVP,

The John E Vistic Experience,The Harrisons,

The Huckleberries, Elephant Talk 2, James Warren,

RSVP, Gringo Ska, and Skiffle Haze

Now that can't be bad can it.

And there's plenty for the Wee ones too.

So Go on. Click my link to the festival,
and the Summer sunshine won't seem so far away

And I'll see you there at the

Stowford Manor Farm.

Brief Lives

2006-01-01T13:00:00.000Z

Now that 2005 is behind us
This site will remind you of many who left us last year.

The Blog of Death

Happy Reading

Is this Art ?

2005-12-06T19:25:00.000Z

So a Garden Shed, turned into a boat, sailed down the Rhine,
and turned back into a shed, has won this years Turner Prize.
Simon Sharman's remarkably named Shedboatshed
scooped the £25,000
Time to clean out the old Leanto, I'd say.
Or shall I don me frock and make some pots. aka Grayson Perry
who won in 2003

Or better still, I think I'll show you some
Truisms from Jenny Holtzer

Now that's what I call Art!

Farewell to the "Belfast Boy"

2005-12-03T16:25:00.000Z

This Poem, written by a Belfast woman, Julie McClelland.
Was read today by Callum Best, at the funeral of his Dad.
Not only is it a wonderful poem,
it sums up our feelings towards Bestie in his Pomp.
( thanks to Michael Parkinson/TV am)

So I would just like to say, Cheers George, and Thank You.

"Farewell our friend, but not goodbye.
Your time has come, your soul must fly.
To dance with angels, find the sun,
but how we'll miss our special one"

He walks among us just a while,
weaved your magic, made us smile.
"Your life was so full of light and tears,
we lived it through you, through the years"

The golden days, they went so fast.
The precious times, why can't they last?
"So many loved you, did you know?
We were not ready to let you go.

"The stars from Heaven are only lent.
A gift from God, that's why they're sent.
We won't forget our Belfast boy,
he filled our lives with so much joy.

Your star will shine now in the sky.
“Farewell our friend, but not goodbye."

Juliet Turned Heads in Taunton

2005-11-11T18:55:00.000Z

The Atrium,
Taunton College,
Somerset.
Fri 11th November

Juliet Turner, who was the winner of the 2005 Irish Meteor Music Award for "Best Female Performer, visited Taunton last night. One of only 2 UK venues (more in the new year) to promote her new "Live" Album. She had played at this venue before, but due to my ignorance it had been missed by this Blogger. Should be no worries this time. Given plenty of notice, and thanks to Graham,
I felt I was pretty in tune with her music.

Got to the gig in good time, along with good friends
Rob & Amy Howlett, at the venue SCAT.
(Somerset College of Art & Technology)
The stage & seating was set in what is called the Atrium, but which is in fact the student refectory. It was fairly busy already when we arrived, all the front area full. However it was of good size with plenty of seating round tables. Maybe 150-200 of us here eagerly waiting the nights entertainment.
We found seating towards the back, and had a pretty clear view of the stage. Beers in, perched on stools, and the lights dimmed.

Andy Lock The Promoter, (Apparently Juliet's quite pally with him, he's taken the photo's that are used on the "Live" Album) welcomed us all with the fire drill (and where to find the oxygen masks) and introduced the support.

Brian Houston A Belfast born lad. His set of 9 songs & an encore was very Dylanesque, with very amusing anecdotes.
A couple of numbers of note were
"I was a kid of the '70's" & "All the blame"
Get to see this guy if you can. He's very funny!

The lights went up. We all went for our loo & smoke breaks
( no smoking in school), replenished our glasses before the lights went down again.
Andy came back on stage to introduce the headline....

Juliet Turner

Juliet arrived onstage with a clean cut smart guy called Brian Grace
Not looking at all like what I'd been told or like the photo's I've seen of him. (check my photo link below) For the record Juliet was wearing a low cut sparkly top. The two of them perched themselves on stools, tuned their guitars, and then,

straight in to the set.

1 Dr. Fell
2. Sorry to Say
3. The Girl With The Smile
4. Burn The Black Suit
5. Season Of The Hurricane
6. 1987
7. Beyond The Backyard
8. Joy (a new one)
9. Pizza And Wine
10. Business As Usual
11. Pick a Story (I think ?)
12. Take The Money And Run
13. Everything Beautiful Is Burning
encore
Belfast Central

In between a few of the numbers Juliet gave us an insight to her life by relating on how she arrived at the next song. Some were pleasant, some sad, and some could even be classed as disturbing. But the way she put these anecdotes across, and along with the first-rate music, it all made sense.

Juliet even tried to get us to sing along with her on
"Take your money and run" with Brian taking one side
and herself the other. Although the response was rather
half hearted, it was certainly enjoyed none the less.

With all good things always coming to an end. It was over to soon.
A thoroughly enjoyable evening. I was able to have a few words with her afterwards on how I got to know of her, and her music.
(Thanks Graham, and she remembered you too)
and get my new "Live" Album signed.

Just think, I just might get to see her again

This could be love, so I'm off to Burn The Black Suit

Postscript: Brian Houston will be appearing here again on Fri Jan 27th. along with Amy Wadge.

A Home Spun Yarn

2005-11-01T09:30:00.000Z

The ‘Homespun’ project was begun by Dave Rotheray, guitarist and song-writer with The Beautiful South,
initially as an outlet for his writing while the 'South were on sabbatical’. The original idea was simply to make home recordings, purely for the benefit of himself, his family and friends; no commercial release was intended. Dave had a bunch of so-called ‘fire-side’ songs (i.e. simple acoustic guitar-based country/folk music) that had been written in the previous year and which he was longing to record.

Sam Brown ( under-rated chanteuse, and famous daughter of Joe) became involved right at the beginning of the project as the first choice to take on the vocals.
Dave then enlisted the help of his musician friends, all boasting impressive credentials;
Tony Robinson took on keyboards, he had previously worked with the Super Furry Animals,
Gary Hammond then came onboard as the percussionist, he had previously worked with the Nina Simone band,
Clare Mactaggart then got involved, who has worked with Portishead, amongst others
& Melvin Duffy, who previously had been in
Robbie Williams band, works the pedal steel guitar.

The first musical offering from Homespun, was a self-titled album released in 2003. The album received a lot of positive press, and after touring they generated a loyal fan base consisting of fans, both old and new. Their second
Album "Effortless Cool".
was released in
July of this year

I had a very enjoyable evening back in January
with "Sam & Dave" at the
Marrs Bar in Worcester
when they Headlined
a gig along with
The Jayne Powell Band
and Eleanor McEvoy

So if you'd like to be warmed up on a cold winters evening,
get your credit card out and contact one of the venues below.

The Tour Dates announced for early 2006
are as follows.

Friday 20th January:
LEICESTER - The Musician (0116 283 5533)
www.themusicianpub.co.uk

Saturday 21st January:
WINDSOR - Windsor Arts Centre (01753 859336)
www.windsorartscentre.org

Sunday 22nd January:
BRIGHTON - Komedia (01273 647100)
www.komedia.co.uk

Friday 27th January:
PUTNEY - Half Moon (020 8780 9383)
www.halfmoon.co.uk

Saturday 28th January 2006:
MILTON KEYNES - The Stables Theatre (01908 280800)
www.stables.org

Sunday 29th January:
SWINDON - Swindon Arts Centre (01793 614837)

Friday 3rd February:
ALDERSHOT - West End Centre (01252 330040)
www.westendcentre.co.uk

Saturday 4th February:
GATESHEAD - The Sage (0870 703 4555)
www.thesagegateshead.org

Sunday 5th February:
SHEFFIELD - Memorial Hall (GIG CANCELLED)

Cold Blooded Groovers

2005-10-30T17:55:00.000Z

Once upon a time a long time ago.

So long it was in the last millennium.

'Twas in a stable in the depths of the Somerset countryside, that two old friends were excitedly talking "music". But although indeed, they were so old, and yet only recently acquainted, they both coincidently, still possessed youthful exuberance and naivety. This was undoubtedly less to do with a carefully monitored diet and lifestyle, but rather to the fact that neither of them had properly grown up.

Incredible as it may seem, over the following months, others felt the call to the stable. ( some even had initials after their name, like BSA and sidecar, or WC and chain) They who came also had secret desires to behave like irresponsible teenagers, and drink and play "music" deep into the night. Sometimes they got so carried away, they nearly missed last orders in the local tavern.

Despite the lack of experience and equipment, undeterred they would gather every Monday evening to make music and have fun! And so they did, week after week after week. But there was something missing. They were a band with no name.

Various suggestions were bandied about and thrown out, including Five Furious Farts, and Laurie Van Truck and the Automobiles.
Then Lo, the big breakthrough came one evening...

...when someone came up with the name. It only took a moment, once the fighting and swearing had been stopped and the more serious wounds had been dressed, for the group to realise that this was indeed the final cog in the wheel, or the last straw, as one of the assemblage muttered as he waved good-bye with two of his fingers.
But it did not matter, because they now had a name. And that name was,

Louis & the Iguanas

Throughout this early period, each time the band played out, they would be approached by someone wanting to join the band, as another singer or a brass player or percussionist, in fact they became such a large outfit, that they "outfitted" nearly all the local venues.

Things eventually settled down, and the line-up has remained the same eight people for the last couple of years.
These days when they play out, they get another booking, rather than another member, which is obviously more desirable. Although if there's a good Trombonist out there......................

The Band Are......

Russ Needham - Vocals, Percussion & Anecdotes

Joe O'Sullivan - Vocals & Percussion

Alan King - Guitar, Vocals & String Breaking

Harry "the doctor" Proctor - Saxophones

Neil "JJ" Woods - Trumpet & Percussion

Robbie "fingers" Howlett - Keyboard

Andrew "Greta" Garbutt - Bass Guitar & Stage Managing

Colin "the box" Mansfield - Drums

What's My Number

(A Selection of Songs From Louis & the Iguanas Repertoire)

Turn on tune in cop out, Smooth, It Must be love, Reggae to the rescue, Johnny B Goode, Whole of the moon, Pick up the pieces, I feel good, Play that funky music, Mustang Sally, Harlem Shuffle, New Bell, Diggin on James Brown, Night Train, Superstition, Your latest trick, 54.46, Everybody needs somebody, Last Night, Ain't no sunshine, Love of my life, Low Rider, One step beyond, One Blood, Moondance, Sweet home Chicago. and may more.

( Titles in Bold can be found on the recently made demo recorded live at the Newt Beer Festival if you want one contact Glen)

And there you have it. There is no Louis, there are no Iguanas.

LOUIS AND THE IGUANAS are a mighty fine eight piece band of

"Cold Blooded Groovers"

They play an eclectic mix of anthemic, though not so often heard numbers, with a range of styles rarely heard "live" from one band, yet all delivered with the same youthful exuberance, unbefitting of the advancing age of some of it's members. Ska, Reggae, Soul, Funk and Rock'n'Roll. They play it all.

To get more information on "Louis" E-Mail Glen

postscript: The day they played at the Newt Beer Festival, Robbie became a father for the second time. The name of his new son........ Louis.

Bob Dylan - Judas or A God

2005-09-29T17:31:00.000+01:00

How does it feel

To be on your own

With no direction home

Like a complete unknown
Like a rolling stone?

So lets be honest
I have seen Bob Dylan a couple of times within the last 10 years. Firstly at the Phoenix Festival and also at Glastonbury. It has to be said, that on both occasions as a live performer, he has been a big disappointment.
No clarity on vocals, poor stage presence, and No communication with his audience.
But now having always appreciated his recorded music, and song writing. I sat down to watch all 3½ hours of Martin Scorsese's excellent Documentary;

"No Direction Home"

What an excellent film.

I certainly feel that I'm in tune with him and his persona.
The "RockDoc." including footage from Murray Lerner's film Festival, documenting performances at the 1963, 1964 and 1965 Newport Folk Festivals; previously unreleased

out-takes from D.A. Pennebaker's famed 1967 documentary Don't Look Back; and interviews with Allen Ginsberg, Pete Seeger, Joan Baez, Maria Muldaur and many others, was superb.
I am now a born again Dylan fan. Especially the Woody Guthrie period.

I am now looking forward to October, when both these DVD's become available

on Play.com ( Nice 'n' cheap for us UK buyers)

So now you decide is he a Judas, or a God.

My Eleanor Gigs ( a potted history)

2005-09-13T16:55:00.000+01:00

With apology's to Graham (see THE SHED) Ashmore. I thought I'd also list the gigs I've seen Ireland's finest singer song writer Eleanor McEvoy

As I mentioned in a previous blog I first stumbled upon Eleanor in 1994 at my first Glastonbury festival it was June 26th @ 4:30 on a hot Sunday afternoon. It was the start of the Britpop era. I'd just been moshing at the NME Stage watching Tiny Monroe, & Echobelly (with the luscious Sonya Aurora Madan) and had time to kill before the late, great, Johnny Cash performed on the Pyramid Stage.
So there I was taking a break from the sun, when this Lass came on stage with her band. Two things I can remember are that Mike Scott quested with her and the catchy lines from one of her songs

"All I need is just a piece of your time And a bottle of Beaujolais wine"

And that was that.

I did buy the album a couple of weeks later, but I had no idea I was to see or hear of her again.

Now fast forward to 2003. In the intervening years I got myself a PC, got on line absentmindedly typed Eleanor's name into Google, joined the Followers list, and purchased "Snapshots, and "What's following me" Through the site I saw that she was playing down my neck of the woods. (Well 35 miles south) in Topsham, Devon. A quaint village on the outskirts of Exeter. I knew it was easy to get there but how about getting home, as a non-driver it ain't easy. But the gig is in a Hotel. Problem solved. The gig on Saturday February 15th was in the Malt House of the Globe Hotel. This was the "Yola" tour with Brian Connor on keyboards. Eleanor and Brian had a certain chemistry that made the evening. Got chatting to them both in the Hotel bar afterwards.and over breakfast.

I think you could say I was hooked.

The following week it was the Hi-Fi show at the Marriott Hotel in Bristol. With Friends Rob & Amy Howlett. Eleanor was there to pick up the record of the year for Yola, and played 2 x 25 minute slots. Was able to purchase Yola on Vinyl, and get it signed. Eleanor remembered me. Think I'm becoming a Groupie. Her word not mine
The next time was with Cousin James and his girlfriend Sophie at the Half Moon Pub in Putney, London. On St Patrick's Night 2004. A Fantastic Night with Good company, plenty of Guinness and great music supplied by Eleanor and Brian. Good chin-wag with both afterwards. Stayed with James that night in Stevenage. An extremely late night. Especially as I was at work in Taunton the next day.

June 2004 The Arc. Trowbridge, Wiltshire an Art Centre Theatre was the next venue as part of the Village Pump Festival. My mate Jon Doel came up with me. No Brian at this gig. Just Eleanor, Guitar and Fiddle. Great acoustics but not the greatest atmosphere a bit staid. You felt if you tapped your feet you'd be frowned upon. But at least I've introduced another person to her music.

Now the sixth encounter on 25 January 2005 was one of the best. A triple bill with Eleanor on 2nd with Homespun headlining. Arrived in Worcester and found my cheap B&B. Then ticket in hand headed in to town. As it was Burns Night I went to the local pub to have Haggis, Neeps & Tatties.

Blow me. Sat at next table are Dave Rothery and Sam Brown from Homespun. The Marrs Bar was only a short walk away, Nobody on door and I could hear familiar music playing Eleanor doing her sound check. Excellent just walked in to say Hi. And was greeted like a friend. First band was the Jayne Powell band Eleanor was excellent that night. Pity I was on my own. Thankfully I had company during Sam and Dave's set, the lass herself. And I think we both loved the set with their quirky numbers. Enjoyed the informal after show milling about just general chit chat. Attempted to act as roadie afterwards. Then back to the B&B having been to the best gig I'd been to in some time.

Now I'm not a political animal, certainly not a socialist, or an ardent unionist. So a Trade Union Rally would normally leave me cold. Until today.
When the website says Eleanor, & Billy Bragg are playing only 50 miles from your front door, you just have to be there. The TUC summer festival was the next gig on 17th July 2005 in Tolpuddle, Dorset.
Gorgeous weather, the stage set outside adjacent to the Martyrs Museum. Found a space on the grass. Eleanor sitting with her daughter Sarah Jane, no more than 6' away. Was introduced to her partner Mick. Nice fella.

Was able to tell both that the next time I'd see her will be in her home town of Dublin. Enjoyed the rest of the music, some political speeches, and soaked up the sun.

Then just under 5 weeks later it was to Ireland to see one special night.

See my previous posting.

I Will no doubt be updating this post shortly, because on 16th October, it's back to the Marrs Bar.

postscript: and I did go to the Worcester Gig along with Murray from Cheltenham, met up with Graham & Jenifer. It was a super evening, even got a name check during the set.

Check out the review in the Shed Extention

The Art of Somerset

2005-08-29T08:10:00.000+01:00

Taunton The County Town of Somerset a busy regional shopping town, with a good range of shops in the centre, and out-of-town shopping complex which also has cinemas and 10 pin bowling. There is a horse racing course just south west on the B3170.
In 1497 Perkin Warbeck seized the town and said he was King Richard IV, the town was also involved in the Civil War and Monmouth's rebellion.
The town has some old pubs, and a few old streets such as Hammet Street with its 18th century houses, near the church.
There are excellent places to visit. Wonderful gardens, one comes to mind is Hestercombe.
A 50 acres of Grade I listed gardens cover over three centuries of garden history.
The gardens comprise 20th century formal gardens and a Georgian pleasure ground.
The formal gardens, completed in 1906, were designed by Sir Edwin Lutyens and planted
by Gertrude Jeykll. Hestercombe is a classic example of the work of the famous partnership and have been carefully restored by Somerset County Council.
There are terraces and iris-fringed pools.
A pergola is covered with clematis, honeysuckle and roses.
Lutyens' orangery and circular garden, with a round pond in the middle, are particularly stunning.
His eye for detail ensures that every flight of steps and seat fits perfectly into the scheme.

The Art world is well represented. Many fine local artist are scattered around the Taunton Deane area.

I already have a couple of pictures from Amy Howlett. And there are plenty of open houses and exhibitions to view a number of excellent artist.
Theatre and Music: We have a few venues around the area. The Brewhouse. Their full and varied live programme caters for all ages and includes a wide range of touring music, drama, children's theatre, dance, opera, ballet and comedy, culminating in the spectacular annual family Christmas show. They also operate an extensive education and outreach programme of youth and community activity which provides people with the opportunity for creative expression and cultural development.

Another Venue is the Tacci Morris Arts Centre in partnership with Somerset County Council and HeathfieldCommunity School, recently completed this 250 seat Theatre

with Dance, Drama and Music Studios, to form a Centre for Performing Arts.
Unfortunately this area does not seem to attract big established name,

but that us something that I aiming to change.

Sport also figures down here in deepest Somerset. No not Football "Cricket"

Somerset County Cricket Club They always seems to flatter to deceive. (how to turn victory in to a glorious defeat)
However they did win the Twenty20 Cup this year. And with the renewed excitement generated from the Ashes. Crowds flock in to see the Somerset Sabres.
So you see quite a lot to see and do around this area, and the M5 gives good access north and south, the A358 will take to The West Somerset railway at Bishops Lydeard

and on up to Exmoor.

Eleanor McEvoy - Her songs and Music

2005-08-20T22:25:00.000+01:00

I've been a Fan of Eleanor since 1994 when I stumbled across the acoustic tent at Glastonbury Festival.
And a member of Eleanor's Fan Club for the last 4 years finding out about gigs and reading other people's reviews sometimes replying. I have been to a few over the last few years, so when the news was posted that she was playing in her home town of Dublin with the RTE Concert Orchestra during my annual leave, I just had to go. A cheap return on RyanAir, a guest-house booked, and concert ticket purchased, sorted.
I then Contacted the followers @ eleanormcevoy.org to see if anybody was going and we arranged to meet up in the Sinnotts Bar off Stephens Green prior to the concert. It was there I met up with Brian & Pauline Greene check out Brian's Blog & Brian's Pod Radio site also Graham & Jennifer Ashmore Graham's Blog and Graham's Shed
Well worth a browse.

Usual pleasantries and a few pints of the Black stuff, then on to the National Concert Hall. Brian called out to one guy en route who I found out was David Brophey our conductor for the evening running through Stephens Green with half an hour before the show. We also met up with Brian Connor who played keyboards with Eleanor on "Yola".
Also two more Followers who put my trip from Taunton in the shade. Anna & Inga came all the way from Boston

We all found our seats in different areas of the auditorium. I was sitting side on, in the gallery.
The orchestra took their places, and the lights dimmed.
The concert began.

1: Overture: Only a Woman's Heart
Eleanor's best known song performed with gusto by the Orchestra. Eleanor had asked them to go for it when they played this instrumental version of the song, a perfect start.

2: You'll Here Better Songs (than this)
Eleanor sang the first line off stage and the appeared stage left Great title, Beautifully sung

3: I'll Be Willing
Taken from the album Early Hours stunningly arranged

4: Not Quite Love
A simple fast paced number David Brophey our conductor had arranged for her. Spot on.

5: Whisper a Prayer to the Moon
From the album What's Following Me.
Here we were able to hear the vocal backing of
Liam Bradley sitting stage left. I've always enjoyed this number, and tonight didn't disappoint.

6: Did You Tell Him
Straight in to this number a favourite by all
from the album Snapshots getting the full orchestral treatment.

7: Something So Wonderful
A powerful song done as a duet with Liam Bradley
and dedicated to Tom Hyland of the Free East Timor Campaign.

8: Memphis Tennessee
Chuck Berry's song taken from the album Early Hours
Eleanor does the vocals justice by slowing it down a notch

9: Territory of Poets
One of my personal favourites, given the full treatment on the Brass and Percussion The Orchestra went off section by section leaving the string section to close the number

Interval
The smoke and pee break and a quick word to one of the Ushers and I was able to reposition myself in the stalls

1: Famine 1848
I think this was the first time I've heard this number.
Taken from a limited edition of What's Following Me.
Beautifully arranged

2: The Rain Falls
Eleanor sang a a furious pace, wonderfully arranged by
David Brophy and the Tubular bells at the end of the number segued nicely
in to.....

3: Anach Cuain
An old Gaelic song taken from Early Hours
about a ship wreck off the west coast of Ireland

4: Please Heart Your Killing Me
Co written with American county legend Rodney Crowell from the Snapshots album
Full treatment given here the Brass section in full glory

5: Driving Home to Butlers
Eleanor was driving home from the Butlers pub in
Co. Wexford, when she came up with this slow air.
Even the string section applauded at the end of this number.

6: Easy In Love
A Quirky number from the album Yola.
About couples in love Bogey n' Bacall, Scarlet and Red.

7: Isn't It A Little Late
In recent times Eleanor has just used her guitar to knock out the beat So to hear it given full Percussion treatment
was in deed a real treat.

8: Easy To Lose Hope
The last number. It's finishing so soon
This is Eleanors tribute to Veronica Guerin.
Powerful and simply wonderful

Encore
Only a Woman's Heart
The one that'll pay the pension.

There should of been more.
Although there were two curtain calls, it was over

One truly magical evening
and one I won't forget in a hurry

We all met up afterwards in the foyer. All eulogizing the evening. Eleanor came out to be congratulated by many.
A team photo was arranged,
Brian, Graham, Anna & Inga, myself along with the
star of the night
The evening was at an end the others disapeared
and then it was off to Hourigan's pub.
for the after show party.

But that another tale......